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So before we dive into substitute dominants, let’s review secondary dominants. You will see that we can make two possible chords out of this. A “substitute dominant” or “tritone substitution” is a special type of chord whose function is closely related to that of the secondary dominant. Before the tritone became a common tool in rock, listeners expected artists to play chords and patterns that were pleasing to the ear. Notice, for example, the notes that make up the G7 chord: G, … These chords are interchangeable because the tritone interval pitches are identical in each. Since the perfect 11th (i.e. Every dominant chord contains a tritone, after all the tritone is responsible for the sensation of “tension” of the dominant function. Bars 9 and 10 are tricky; play the first note of each bar with your ring finger. How To Use A Tritone For Effect Each time we play the tritone interval, we approach it from a fret below to create tension (and release). Let’s look at the resolution to the Tritone in the last example, which you will recall is comprised of the notes G and B. In Blues and Jazz turnarounds, it's common practice to use harmonic substitutions for any of the chords. The fifth chord consists of the root (1) and perfect fifth (5), while the tritone is built from the root (1) and diminished fifth (b5) When a tone that wasn’t mellifluous – such as the triad – was inserted into a musical passage, it was unsettling since it didn’t conform to the listeners’ expectations. Both possibilities are diagrammed below, with the two notes from our resolution colored in yellow. Let’s look at some V7 chords (fifth degree with minor seventh) for you to check it out. We are Tritone Music Academy, providing music education in Southern California since 2005! This can include chords that build on the general base of the dominant seventh, but can also take more extreme approaches that combine many tritones, or use tritones to create even more crunch intervals, like minor seconds. The last two bars are a standard bass run to the V chord and back. Review of Secondary Dominants. The Set Up And Maintenance Course Is Now Available As An Individual 90 Minute Session. Tritones also became important in the development of jazz tertian harmony, where triads and seventh chords are often expanded to become 9th, 11th, or 13th chords, and the tritone often occurs as a substitute for the naturally occurring interval of the perfect 11th. Small group lesson of about 6 kids per class, classes are sometimes smaller! The tritone substitution is a dominant, or secondary dominant 7th chord whose root is a tritone (3 whole steps) away from the original chord. Go To The Online Classes Tab For More Details! In another lesson, we talked about secondary dominant chords. If you’re making something heavy or jazzy, then the tritone is your friend. I am going to show you how to play 'The Devil's Chord' and I will explain what it is and how it got it's name. We offer one-hour Group Guitar Lessons once a week on Mondays, Wednesdays, and Thursdays. Video Cliffs: 0:00 – Intro 0:34 – Part 1: Two Easy ways to Find the Tritone Sub for any Key 2:45 – Using the Circle of Fifths to Find the Tritone Sub for any Key 5:12 – Part 2: The “Theory” Behind Tritone Subs 7:55 – What is a “Tritone Interval” 9:53 – The “Tritone Interval” as Found in Dominant 7th Chords. Practice to use harmonic substitutions for any of the chords identical in each a... The two notes from our resolution colored in yellow Course is Now Available As An Individual Minute. Two notes from our resolution colored in yellow degree with minor seventh ) for you to check it out dominant. 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